Yasmina Price outlines how Rosa Barba’s cinematic sculptures archive the remains of time, light and industrial matter; Jesse Dorris writes on Tammy Nguyen’s latest exhibition ‘Paradiso’, detailing the power of translation as the artist reinterprets Dante Alighieri’s Divine Comedy (c.1321); Danez Smith uses Essex Hemphill’s powerful poetry to combat queer erasure in the US, accelerated by Trump’s re-election; Rafał Zajko speaks to Sean Burns about how his sculptural works tackle circularity, labour and performance; Lauren O’Neill-Butler interviews Vivian Suter about incorporating nature into her painting practice.
Finally, Christopher Alessandrini responds to Noah Davis’s painting The Future’s Future (2010). Plus, Vivian Sutercontributes to our series of artists’ ‘to-do’ lists and assistant editor Cassie Packard pens a postcard from New York.
